Audition Repertoire


In addition to the orchestral auditioning process, candidates may also be asked to play one or more of the following orchestral excerpts as part of their individual interview. Music will be provided in the interview, but candidates may choose to prepare these in advance.

Violin
Beethoven: Symphony no. 3, 3rd mvt, Minuet
Brahms: Symphony no. 4, 1st mvt, bar 392 to end
Mendelssohn: Midsummer Night’s Dream, Scherzo, bar 17 to 99
Strauss: Don Juan, bar 1 to 62

Viola
Beethoven: Symphony no.5, 2nd mvt, bar 1 to C
Debussy: La Mer, 2nd mvt, reh. no. 35 to 39
Mendelssohn: Midsummer Night’s Dream, Scherzo, letter C to D
Mozart: Symphony no.35, 4th mvt, bar 134 to 181

Cello
Beethoven: Symphony no 5, 2nd mvt, bar 1 to C
Brahms: Symphony no. 2, 2nd mvt, bar 1 to A
Rossini: Wilhelm Tell Overture, solo, bar 1 to 34
Strauss: Don Juan, letter A to 10 bars after B

Double Bass
Beethoven: Symphony no. 5, 3rd mvt, bar 1 to 61 and 141 to 177
Britten: Young Person’s Guide to the Orchestra (Var. H)
Mozart: Symphony no. 35, 1st mvt, bar 13 to 41
Strauss: Don Juan, letter R to T

Flute
Brahms: Symphony no. 4, 4th mvt, bar 97 to 105
Dvorak: Symphony no. 8, 4th mvt, letter D to E
Mendelssohn: Midsummer Night’s Dream, Scherzo, 2 bars before letter P to end
Ravel: Daphnis et Chloe Suite #2, from reh. no. 176 to 2 bars after 179

Oboe
Beethoven: Symphony No. 7, 3rd mvt, bar 63 to 106
Ravel: Le Tombeau de Couperin, Prélude, beginning to reh. no. 2 and 8 to 9
Rossini: Overture La Scala di Seta, beginning to 3
Strauss: Don Juan, L to N

Clarinet
Beethoven: Symphony no. 6, 2nd mvt, letter D to E
Mendelssohn: A Midsummer Night’s Dream (Scherzo)
Rimsky-Korsakov: Capriccio Espagnol, mvts. 1 and 3
Shostakovich: Symphony no. 9, mvts. 2 and 3

Bassoon
Mozart: Marriage of Figaro Overture, bar 1 to 24 & bar 156 to 171
Stravinsky: Le Sacre du Printemps, bar 1 to 3 after 3
Ravel: Boléro, 2 to 3
Tchaikovsky: Symphony No. 4, 2nd mvt, last 31 bars

Horn
Beethoven: Symphony no. 9, 3rd mvt, Adagio (4th horn solo)
Mendelssohn: Symphony no. 3, 2nd mvt, 4 bars before F to G (3rd horn)
Strauss: Till Eulenspiegel, opening call (1st horn) AND 12th bar of rehearsal no. 28 to reh. no. 30 (1st horn)
Wagner: Siegfried, long call

Trumpet
Mussorgsky: Pictures at an Exhibition, opening
Mahler: Symphony no. 5, opening
Ravel: Piano Concerto in G major, solo
Stravinsky: Petrouchka, ballerina’s dance

Trombone
Mozart: Requiem (Tuba Mirum)
Rossini: La Gazza Ladra, overture, letter C, F & I
Ravel: Boléro, solo
Schumann: Symphony no. 3, IV mvt, opening (1st trombone)

Bass Trombone
Berlioz: Marche Hongroise, reh. no. 4 to 5
Wagner: Die Walküre, trombone call (4th trombone)
Schumann: Symphony no. 3, IV mvt., opening

Tuba
Berlioz: Symphonie Fantastique, IV mvt, reh. no. 56 to 6 bars after 57 (1st Tuba)
Mahler: Symphony no. 1, III mvt, solo
Stravinksy: Petruschka, reh. No. 100 to 101
Wagner: Die Walküre, tuba call

Timpani
Beethoven: 9th Symphony - 1st mvt, 19th bar after R to the end
Tchaikovsky: 4th Symphony - 1st mvt, begin 2 bars before T to the third bar before U
Hindemith: Symphonic Metamorphosis - Turandot mvt, Solo, 5th measure after S to T and before Z to the end
Stravinsky: Rite of Spring, last page, 189 to the end

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